Le fiel peut attendre

Jean Louis Chinaski raises its critical and cynical about life. Whether the sex that comes up quite often in songs like Mannequin, La grosse or Clic-Clac, alcohol in Soirées humides, Notre petit bar or the passage of time in Une vie, Mélancolie, Le balcon. Words floods (as in La grosse shock with which he used to open his concerts) and often true. Chinaski will make you think of Bashung in Le fiel peut attendre or Leonard Cohen in Aucun de nous, you should enjoy it in any case.